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<channel>
	<title>Chronicles of New York &#187; victim</title>
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	<link>http://www.chroniclesofnewyork.com</link>
	<description>A Fiction Blog Inspired By The City</description>
	<lastBuildDate>Thu, 29 Apr 2010 22:13:02 +0000</lastBuildDate>
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		<title>Non-Stop</title>
		<link>http://www.chroniclesofnewyork.com/non-stop</link>
		<comments>http://www.chroniclesofnewyork.com/non-stop#comments</comments>
		<pubDate>Thu, 29 Apr 2010 22:07:09 +0000</pubDate>
		<dc:creator>Willow</dc:creator>
				<category><![CDATA[On The Subway]]></category>
		<category><![CDATA[daily life]]></category>
		<category><![CDATA[fiction]]></category>
		<category><![CDATA[frustration]]></category>
		<category><![CDATA[junior high]]></category>
		<category><![CDATA[kids]]></category>
		<category><![CDATA[new york city]]></category>
		<category><![CDATA[poverty]]></category>
		<category><![CDATA[school]]></category>
		<category><![CDATA[subway]]></category>
		<category><![CDATA[transportation]]></category>
		<category><![CDATA[victim]]></category>
		<category><![CDATA[violence]]></category>

		<guid isPermaLink="false">http://www.chroniclesofnewyork.com/?p=470</guid>
		<description><![CDATA[Bentley and his crew—five basketball players—step toward me. Two sit down, one on either side me. I should have sat on the edge. Their knees rest about 4 inches taller than mine and 3 inches longer. My head reaches their shoulders. I’m like a White Castle slider and they’re BK quarter pounders. Bentley’s standing over me like a kraken. 

“Look at you, lame-o. You are so fucking gross. You know why? You want to know why? I’ll tell you why. Because you’re horny. That’s right. Bitch, it’s Thursday and you’ve got a green stripe in your shirt. Green on Thursday means you’re horny. You disgust me. Don’t you get any? I get some. I get lots. I ain’t got no reason to wear green on Thursdays.”

I looked down my shirt hanging over my concave, wire-hanger frame. “No way man, the light’s all funny down here. It’s not green it’s yellow.” And then I add, “What are you colorblind?” I bend my head back to see his face. Hair is sprouting from his chin like a few misplaced pubes. 

<p style=text-align:left>By<a href="http://www.chroniclesofnewyork.com/about-the-editor"> Willow Duttge</a></p>
<p style=text-align:right>Read the <a href="http://www.chroniclesofnewyork.com/non-stop">whole story</a></p>]]></description>
			<content:encoded><![CDATA[<p>The black hair around my ankles is getting thicker, strange. I wonder what’s up with ankles. Why do they get hairy first? I put my foot up on the toilet. If I look only at my foot, I look like a man. Or a hobbit. I look in the mirror. I have a new zit—a big one that fills up the crevice on the outside of my left nostril. Gross.  I have elephantitis of the zit. I poke at it, prodding it to go away. I push it harder. I go at it with my mom’s tweezers. It hurts like I’m getting punched in the face, or at least how I imagine getting punched in the face would feel. Then it starts to bleed. “Shiiiiiiit!” I shout. </p>
<p>“Boy, you’re going to wake up your brother. You know he’s still sleeping! And get down here for breakfast you’re running late. You have three minutes, Mr. Lazy Ass,” my mom yells from the kitchen. </p>
<p>“You’re going to wake him up yourself! Stop yelling!” I holler. </p>
<p>She slams the fridge door as a response. I dab a piece of toilet paper on my oozing, bleeding zit and go to the bedroom to get dressed. </p>
<p>It’s dark. Jim is still sleeping. “Lucky son of a bitch,” I whisper. His high school starts an hour later than the junior high. I tug on a dangling, worn-out, red string of wrapping-paper ribbon to turn on the light in the closet. It doesn’t turn on. I pull again. It clicks but no light. I pull. I pull. I pull again. No light. “Shit times two,” I grumble as I grab what’s probably my plaid button-up shirt. The jeans from yesterday are crumpled on my side of the bed. They’re baggy; they’ve got cool silver stitching; they’ll be fine. I pull them on, cinch a belt around my waist and hustle to the kitchen. </p>
<p>“You better take this with you out the door,” my mom says.</p>
<p>She hands me a just-out-of-the-toaster Pop-Tart. I juggle the burning ember of a breakfast from hand to hand as I grab my backpack and head out the door. </p>
<p>I get to the subway platform freaking 15 seconds late. The subway car doors nearly close on my nose. “Next one had better come fast,” I threaten to no one on the empty platform. </p>
<p>Then I hear it, Bentley’s voice echoes down from the top of the stairs. He’s the only dude in New York who publicly tries to sing Alicia Key’s part of Empire State of Mind. “In New York, concrete jungle where dreams are made. There’s nothing you can’t do. Now you’re in New York. These streets will make you feel brand new. Bright lights will inspire you. Let’s hear it for New York.” But no one giggles when his voice wobbles and cracks like a retard. His crew just beat-boxes along with him. He’s getting closer. He’s getting louder. There’s no place for me to hide.  </p>
<p>To keep my nervous knees still, I go sit on the bench. I choose a middle seat hoping to get cushioned by strangers.</p>
<p>“Hey bitch!” he yells. </p>
<p>I pretend like he isn’t talking to me. </p>
<p>“I’m talking to you lame-ass,” he says.</p>
<p>I steal at glance to assess the situation. A few commuters have joined us by the tracks. But Bentley’s not talking to them. They know it. I know it. Everyone is waiting for me to respond.</p>
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		<title>Killed With Kindness</title>
		<link>http://www.chroniclesofnewyork.com/killed-with-kindness</link>
		<comments>http://www.chroniclesofnewyork.com/killed-with-kindness#comments</comments>
		<pubDate>Mon, 19 Apr 2010 14:44:09 +0000</pubDate>
		<dc:creator>Willow</dc:creator>
				<category><![CDATA[Out & About]]></category>
		<category><![CDATA[brooklyn]]></category>
		<category><![CDATA[daily life]]></category>
		<category><![CDATA[fiction]]></category>
		<category><![CDATA[friendliness]]></category>
		<category><![CDATA[frustration]]></category>
		<category><![CDATA[inconvenience]]></category>
		<category><![CDATA[isolation]]></category>
		<category><![CDATA[jury duty]]></category>
		<category><![CDATA[new york city]]></category>
		<category><![CDATA[privacy]]></category>
		<category><![CDATA[victim]]></category>

		<guid isPermaLink="false">http://www.chroniclesofnewyork.com/?p=460</guid>
		<description><![CDATA[Kings Borough Jury Duty: Episode #4 
On the 24th floor of the Kings County federal court house, Julie walked to a wall of windows that looked over Central Brooklyn. Even though the windows were tinted gray, she could tell it was sunny. She believed it was the first stereotypical spring day of the season: warm sun, cool air. She imagined taking that first invigorating, deep breath of fresh air, the type of inhalation that enlivened her lungs after hours of canned, stale air, the type she took after opening the front door of a 747, the type she would take right now if she could.
]]></description>
			<content:encoded><![CDATA[<p>Kings Borough Jury Duty: Episode #4</p>
<p>On the 24th floor of the Kings County federal court house, Julie walked to a wall of windows that looked over Central Brooklyn. Even though the windows were tinted gray, she could tell it was sunny. She believed it was the first stereotypical spring day of the season: warm sun, cool air. She imagined taking that first invigorating, deep breath of fresh air, the type of inhalation that enlivened her lungs after hours of canned, stale air, the type she took after opening the front door of a 747, the type she would take right now if she could.</p>
<p>“Beautiful day, isn’t it?” Destine said.</p>
<p>Julie’s sails deflated and a searing flare burned the skin on the back of her neck. That woman, the talker, was talking directly to her. “It was,” Julie quipped and walked away toward the ladies’ room. </p>
<p>In an acceptably clean stall, Julie sat down with her head in her hands to give herself the semblance of privacy and comfort, and then she decided to text Roger.  “OMG, this crazy, overly friendly woman is like stepping up to me.”<br />
Roger was in a meeting at the office, but he still texted back immediately with unequivocal empathy, “Oh no! That sucks.”<br />
“WTF do I do?!” she texted back. </p>
<p>Then she heard the bathroom door open and a woman settle into the stall next to hers. </p>
<p>“Excuse me. Would you be so kind as to pass me a bit of toilet paper? My stall seems to be out.” </p>
<p>Julie froze as though someone had just accidentally opened her stall door. She recognized the voice. But before she could choose an apt response, Destine continued. “Guess we don’t pay enough taxes to keep ample toilet paper in here. Or maybe it’s just a sign of the recession. Who knows?” </p>
<p>Destine’s loquaciousness gave Julie time to realize that while she knew it was Destine, Destine probably didn’t know it was her. So Julie wadded up a handful of paper and reached under the stall wall. A hand grabbed it. “Thank you so, so much,” she said. “It’s always a little awkward when that sort of thing happens, but it does remind us that we’re here for each other. Life isn’t a game of solitaire.”</p>
<p>“No problem,” Julie said concurrently flushing the toilet to cover any recognizable quality of her voice. Then she rushed to the sink to wash her hands. As she hit the lever for the soap, Destine’s toilet flushed. An almost-too-small glop of coral-colored soap dropped into her hand. It would have to be enough. Julie quickly tried to lather it between her dry hands. Then she waved them in front of the black eye of the automatic water faucet. It wouldn’t turn on. Julie noticed the sink was dry. She moved over to the other sink on her right. </p>
<p>Destine opened her stall door and walked up to the dry sink. Julie felt heavy in her ballet flats. It was as though she were stuck to the floor, weighted down by the pressure of the moment. Then her water turned on. She rapidly rubbed her frothy hands together in the stream. Julie felt Destine’s energy. But Destine’s automatic faucet did not. Less than a foot away, Destine was struggling to get the faucet on. </p>
<p>“What is going on here?” Destine said to Julie. Julie interpreted it as rhetorical. “No paper, no water. I do say so myself. Guess I’ll just use yours when you’re done.”</p>
<p>“Ok?” Julie said slowly with a tone that meant “I think you’re weird.” </p>
<p>Destine saw this as an invitation. “I do have two daughters. I know that tone. I know that tone very well. There’s no reason to use that tone with me. I’ve only been friendly to you.”</p>
<p>Julie put on the cold, authoritative and alert face she would use if a passenger had had one too many self-servings of liquor, and then she gave Destine a chance to dissolve the tension. “Excuse me?” she said.</p>
<p>“I’m just saying, I’ve been nothing but kind. This city is filled to the brim, to the brim with people. The common thread between them all? </p>
<p>Each and every one of them wants to feel good, wants to feel accepted. What makes someone feel good? Friendliness. What makes someone feel bad? Impatience. Rudeness. That is what I try to teach my girls. That is what Oprah’s success has taught the world. That is how I live,” Destine said.   </p>
<p>Julie’s clean hands dripped into the sink. “Look, I don’t want to start with you. I don’t want to be friends with you. I don’t want to be enemies with you. I don’t want to have anything to do with you, and I don’t want you to force yourself on me. Pretend I’m not here, pretend I’m just a piece of the furniture, pretend I don’t exist, alright?”</p>
<p>Destine stood still startled and confused. Her daughters, her regular challengers, never presented her with a quandary like this. </p>
<p> “Are you telling me you want to die?” Destine asked. </p>
<p> “That’s precious,” Julie said.  </p>
<p>No matter how angry they got, how much fire they spit at her, they wanted and needed their mommy.  This woman is different. She doesn’t need me, Destine thought. </p>
<p>Julie continued, “Because I don’t want to deal with you, you think I don’t want to be alive? Are you really that narcissistic?” </p>
<p>“No, um. That didn’t come out right,” Destine said. “I just can’t imagine, I just wanted to help, that’s all. You seem unhappy and I just wanted to help. But you don’t want to let me help, you don’t want my help, you don’t want to be happy, that’s fine I guess.” </p>
<p>“Now because I don’t want to talk to you, I don’t want to be happy?” After these words hissed from Julie’s mouth, she realized Destine wasn’t capable of seeing things from her perspective. “Look, I don’t care. It doesn’t matter. I don’t care what you think. All I care is that you leave me alone. Go away from me.”</p>
<p>“Well,” Destine said noncommittally. </p>
<p>“Now!” Julie commanded. </p>
<p>“Ok then,” she said, and left the bathroom. </p>
<p>Julie walked back into her original stall, closed the door and sat back down. She lifted her shirt and wrapped her arms around herself beneath the warmth of her breasts. Surprise, frustration, powerlessness, humiliation, anger, dejection and relief simmered through her and nearly spilled out as tears. She checked her phone. Roger had texted back, “I wish I could help you but I can’t. Try telling a bailiff??”  </p>
<p>“Why doesn’t everyone just leave me alone? I just want to be alone,” she murmured. But even she didn’t fully believe it.</p>
]]></content:encoded>
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		<item>
		<title>Cataclysm</title>
		<link>http://www.chroniclesofnewyork.com/cataclysm</link>
		<comments>http://www.chroniclesofnewyork.com/cataclysm#comments</comments>
		<pubDate>Mon, 01 Feb 2010 17:26:31 +0000</pubDate>
		<dc:creator>Willow</dc:creator>
				<category><![CDATA[Guest Contributors]]></category>
		<category><![CDATA[9/11]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[daily life]]></category>
		<category><![CDATA[dream]]></category>
		<category><![CDATA[fiction]]></category>
		<category><![CDATA[manhattan]]></category>
		<category><![CDATA[murray hill]]></category>
		<category><![CDATA[new york city]]></category>
		<category><![CDATA[office]]></category>
		<category><![CDATA[transportation]]></category>
		<category><![CDATA[victim]]></category>

		<guid isPermaLink="false">http://www.chroniclesofnewyork.com/?p=352</guid>
		<description><![CDATA[I awoke  to a few powerful jabs in my ribs that I momentarily thought were from a perturbed angel trying to shoo me off his heavenly cloud with a baton. When I turned, I realized my girlfriend Kelly was poking me sharply with her bony left elbow.
<p style="text-align:left"><a href="www.chroniclesofnewyork.com/thomas_lee">By Thomas Lee</a></p>
]]></description>
			<content:encoded><![CDATA[<p style="text-align:left"><a href="www.chroniclesofnewyork.com/thomas_lee">By Thomas Lee</a></p>
<p><strong></strong><br />
I awoke  to a few powerful jabs in my ribs that I momentarily thought were from a perturbed angel trying to shoo me off his heavenly cloud with a baton. When I turned, I realized my girlfriend Kelly was poking me sharply with her bony left elbow.</p>
<p>“You’re doing it again,” she groused as I came to.</p>
<p>“Huh? Oh. Sorry. Same as before?” I replied, my voice sounding like an unexorcised demon’s, as it tends to be at 4:00 A.M.</p>
<p>“Yes, exactly like before,” she said, wiping her blonde bangs from her eyes.  “This is really starting to. . . well . . . it’s totally freaking me out. I don’t know if I can deal with this right now.”</p>
<p>I understood why she was upset, since I had woken her up with my bizarre ritual for eight nights in a row.  From September 3rd to September 10th, 2001, I kept repeating the word “cataclysm” in my sleep. I said it exactly ten times each night in a stentorian voice, as if I were broadcasting an urgent announcement to the rest of the world. In a normal state, I have a low voice, one that people say makes me sound like a graying news anchor, rather than someone like me, a scrawny 30-year-old Asian guy. But when I said “cataclysm,” I descended even further into a deep bass. I’d heard myself do this as Kelly recorded me on a tape recorder the third night it happened and, in the morning, angrily played back what I was putting her through. Curious to see if I had any more to say, she did not disturb me on the first seven nights, but on the eighth night she jabbed me after the fifth “cataclysm,” unable to endure anymore.</p>
<p>The same dream accompanied my repetition of “cataclysm” each night. I was sitting in a cloud in the heavens looking down onto a cityscape at night. Though I was miles in the air, I had telescopic vision that enabled me to see every intricate detail on the ground, even peoples’ faces. Amidst throngs of strangers below, I spotted my grandmother who was dressed in a traditional colorful Korean robe and looked at least 30 years younger, her hair jet-black, and her face unwrinkled. She could see me in my cloud and waved at me cheerily. When she saw that she had my attention, she held out her arms to me, welcoming me into them. </p>
<p>This dream related to a family legend. The night I was born, my grandmother said that as she was waiting in the hospital lobby for my birth, she fell asleep. She dreamt that she was standing outside in the Korean countryside when she saw a falling star in the night sky. She stood directly in the star’s trajectory, knowing that it was not going to harm her. When the star reached her, she lifted the hem of her dress and caught it, the way a girl catches an apple falling from a tree. When she looked down into her lap to see what stars were made of, she saw a newborn baby. </p>
<p>In my dream, by holding out her arms to me, I knew she was inviting me to be born into her family. But I couldn’t bring myself to fall out of my cloud. I knew I would fall safely into her arms, but I believed that some unspeakable event would befall the world immediately afterward. The feeling was so horrid that I wanted to stay safely aloft in my diaphanous limbo, never to be born.</p>
<p>Each morning, I awoke just before I could see the exact nature of what I had feared. All day afterward, at work, at meals, at bars, I could not shake the disconsolate feeling that the world was on the verge of being struck by an evil beyond description, one that I did not have the temerity to face.</p>
<p>At my office computer at work that day, I spent more time using Google to interpret my dreams than actually working.</p>
<p>“Cataclysm.” Three definitions: 1) a violent upheaval that causes great destruction or brings about a fundamental change; 2) a violent and sudden change in the earth&#8217;s crust; 3) a devastating flood. From the French cataclysme, which was derived from the Latin cataclysmos, which was derived from the Greek kataklusmos meaning “to inundate.” Originated when “kata-” (an intensive Greek prefix) met kluzein meaning, “to wash away.”</p>
<p>Searching on Google using the terms “cataclysm” and “nightmares” I found about 10,000 articles, links, blogs and message boards. I must have clicked on at least two-thirds of them over the course of the next few hours. A good proportion were blogs of so-called psychics with ramblings that I found too drivelish to pay attention to even in my desperate state.  I found nothing that actually helped me understand what I was going through.</p>
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		<title>Traction&#8211;Part Two</title>
		<link>http://www.chroniclesofnewyork.com/traction-part-two</link>
		<comments>http://www.chroniclesofnewyork.com/traction-part-two#comments</comments>
		<pubDate>Tue, 19 Jan 2010 23:07:27 +0000</pubDate>
		<dc:creator>Willow</dc:creator>
				<category><![CDATA[Out & About]]></category>
		<category><![CDATA[academia]]></category>
		<category><![CDATA[daily life]]></category>
		<category><![CDATA[fiction]]></category>
		<category><![CDATA[indie rock]]></category>
		<category><![CDATA[life]]></category>
		<category><![CDATA[manhattan]]></category>
		<category><![CDATA[new york city]]></category>
		<category><![CDATA[sex]]></category>
		<category><![CDATA[transportation]]></category>
		<category><![CDATA[victim]]></category>
		<category><![CDATA[violence]]></category>

		<guid isPermaLink="false">http://www.chroniclesofnewyork.com/?p=330</guid>
		<description><![CDATA[I am bouncing in my seat. I imagine us slamming down on the FDR in a nosedive. I imagine my blood on the windshield. To my right is the dirty water infested with needles, dead bodies and wrecked cars. The water has an unnatural current. There are lots of unnatural whirlpools. It’s probably from the subway tunnels beneath the surface. There are thousands of people under there right now. I could die above them and they’d never know. To my left is a flimsy guardrail between us and the opposing current of traffic. The lanes are narrow. Curves are tight. We’re going faster than everyone else on the road. We are trapped. There are so many other cars, so many other lives, and everyone thinks there’s is as important as I think mine is. ]]></description>
			<content:encoded><![CDATA[<p style="text-align:center">&#8230;or start with <a href="http:chroniclesofnewyork.com/traction-part-one">part one.</a></p>
<p>“Hey Riley, man let’s roll a big, fat-ass joint,” suggests Danny. </p>
<p>“Yeah man, we can roll it in the park.” </p>
<p>The park. If I had known we were going to the park, I would have tried to look a little cooler. It’s the park they used to film the fight scene in the movie <em>Kids</em>, the movie. Patches of grass peak out between concrete slopes and benches. The homeless kids hang out by the arch and in the dry, broken fountain. Poets—without a high school degree or a home—stand in the center and shout angry rhymes. Men with dreads sell incense on the sides. A guy is making chalk portraits on the ground. We just barely miss stepping on one of his drawings and park ourselves against a fence. Riley slips his arms around my back. The pressure almost pushes me down face first. But I try to hold my ground. I know he just wants to be close to me.</p>
<p>Roddie looks like he wants to say something or maybe he’s chewing on something. Danny directs, “Roll the mother fucker.” </p>
<p>Riley cups his free hand into his pocket and slips Danny the bud. Danny crouches low to the ground trying to look inconspicuous. As if! He messes up three times and on the fourth, we have a loose but smoke-able jay. Then Riley lights it. </p>
<p>I know what we look like. We look obvious. We’re so going to get busted. For all of Riley’s self-righteous, honor, truth and dignity bullshit, he’s doesn’t see the obvious. I see thousands of possible outcomes from every single decision. He just sees everything as good or bad—and by default everything is good unless proven otherwise. The consequences of smoking pot out in the open? Good, cause he’s never gotten busted yet. But the first time is all it takes. If I get in trouble my mom will never let me see him again. </p>
<p>I feel like a bug is crawling under my skin. This isn’t rebellion or freedom. This is just stupid. We had to buy the weed on the street. But we don’t have to smoke it here. I try to keep my eyes peeled for cops. No blue suits. There are sirens, but there are always sirens. What if the cop is undercover, incognito? Then what do I do? How do I know who’s watching us? “Riley, this is crazy. We don’t know who’s watching us. We could so get busted.” </p>
<p>“Come here.” He puts his arms around me and tells me to take a deep breath as he passes me the joint. “Everything’s going to be ok,” he tells me. I never believe him until the fourth or fifth time he tells me. He’s only said it twice so far. Or maybe I thought it once and he said it once. I don’t know. Whatever. Roddie passes me the jay again and I take a hit as quickly as I can. I pass it on fast. Riley doesn’t notice it’s his turn.</p>
<p>“Take it!” I jab him in the shoulder. </p>
<p>“Relax, Harmony. Everything’s going to be ok.” </p>
<p>That was two. Or three. </p>
<p>“Everyone is chill but me.” </p>
<p>“So chill out Harmony. It’s not that hard to do. Take a deep breath. </p>
<p>“Ok. I’m ok.” I go through this almost every time we smoke pot nowadays. I am little Miss Paranoia, but I can never convince myself that it is only paranoia. What if it’s like women’s intuition and something’s really is wrong? I am stoned, and therefore I am paranoid. I try to remind myself of this. But then I think, what if I’m more than stoned? What if it was laced with angel dust or strychnine or crack or formaldehyde and this really is the end of me? What if I never get to talk coherently to my mom again? Oh my god. I’m freaking out. Breathe, I remind myself. Regardless of the danger I am in, I must breathe. </p>
<p>“SHIT!!!!” </p>
<p>“Dude, Harmony. You’re ok. I’m ok. Everything’s ok.” </p>
<p>“Don’t talk to me like that, Riley. There really is a problem.” </p>
<p>“What’s that?” Danny asks as he’s jumping around pretending to do skateboard moves without a skateboard. </p>
<p>“The car. We aren’t in a real spot!” </p>
<p>And we’re off running down the street to the car. We’re going too fast for me to concentrate on the steps. I watch my legs and they tickle because I know all of the muscle fibers are working and that tickles. Danny is yelling like some coach whether we should stop or go at intersections. Roddie passes him up and yells for Riley to give him the keys. “I’ll get there first!” he hollers. He chucks the keys to Roddie across 3rd Avenue. </p>
<p>Roddie misses the keys and they skim against the street and land against the curb. Danny grabs them and sprints the last block to the car. I can’t run anymore. Breathe, breathe. I can’t go any further. What if I can’t run because I’m dying? I’m almost there. Almost there. Keep it going. No one ever died from pot. There! I slam myself up against the car. I rest my head against the sun-warmed hood. </p>
<p>“Hey, the car is ok! Thank you, God. What if it had been towed? What if we had been stranded here? That would have been terrible.” I have to be home by 9 or else I’ll get grounded. I don’t say that last part out loud. </p>
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		<title>Traction&#8211;Part One</title>
		<link>http://www.chroniclesofnewyork.com/traction-part-one</link>
		<comments>http://www.chroniclesofnewyork.com/traction-part-one#comments</comments>
		<pubDate>Mon, 11 Jan 2010 23:46:14 +0000</pubDate>
		<dc:creator>Willow</dc:creator>
				<category><![CDATA[Out & About]]></category>
		<category><![CDATA[academia]]></category>
		<category><![CDATA[drugs]]></category>
		<category><![CDATA[early 90s]]></category>
		<category><![CDATA[FDR]]></category>
		<category><![CDATA[fiction]]></category>
		<category><![CDATA[frustration]]></category>
		<category><![CDATA[high school]]></category>
		<category><![CDATA[life]]></category>
		<category><![CDATA[manhattan]]></category>
		<category><![CDATA[new york city]]></category>
		<category><![CDATA[transportation]]></category>
		<category><![CDATA[victim]]></category>
		<category><![CDATA[violence]]></category>

		<guid isPermaLink="false">http://www.chroniclesofnewyork.com/?p=320</guid>
		<description><![CDATA[The driver’s seat is Riley’s throne. He parades through town every day in his large, intimidating pick-up truck with bad boy stickers all over it blaring heavy metal and punk rock. His palace is cherry red with big wheels. The back, also red, is covered by a hard, plastic camper shell. Inside is a thin mattress Riley snuck from one of his family’s sofa beds, a pillow, an old bottom sheet, a fleece blanket and a handful of condoms. Riley’s good friends know about his little roving love shack, but no one else does. To anyone who gets curious, he plays it cool. “It’s my Hearse for Hicks. There's a pine box in there,” he says. As king of his death trap, he refers to himself as The Undertaker. I have the privilege of being seen as The Undertaker’s queen every morning when he drives me to school. ]]></description>
			<content:encoded><![CDATA[<p>The driver’s seat is Riley’s throne. He parades through town every day in his large, intimidating pick-up truck with bad boy stickers all over it blaring heavy metal and punk rock. His palace is cherry red with big wheels. The back, also red, is covered by a hard, plastic camper shell. Inside is a thin mattress Riley snuck from one of his family’s sofa beds, a pillow, an old bottom sheet, a fleece blanket and a handful of condoms. Riley’s good friends know about his little roving love shack, but no one else does. To anyone who gets curious, he plays it cool. “It’s my Hearse for Hicks. There&#8217;s a pine box in there,” he says. As king of his death trap, he refers to himself as The Undertaker. I have the privilege of being seen as The Undertaker’s queen every morning when he drives me to school. </p>
<p>“Riley, slow down!” I grip the seatbelt’s shoulder strap. It locks tight. My mom told me they don’t pull dead bodies out of seatbelts. I hold on. “You don’t have to drive like a crazy person!” </p>
<p>“Do not critique my driving, Harmony. You should be kissing my ass for saving you from the lame-o’s on the bus. I’m doing this for you. Do you want to be late to first period? You should have been ready on time.”</p>
<p>“Oh come on,” I argue back. “I don’t have to act a certain way just cause you drive me to school. I don’t have to be indebted to you forever. It’s not that big of a deal. You have to go to work anyways. School’s on your way.” </p>
<p>“Yeah, well I look like a loser showing up there every morning. I should have something better to do. I graduated. I should be moving on.” </p>
<p>“Then why are you going out with a girl who’s not even an upperclassman yet? Huh? Maybe we should break-up for your image.” </p>
<p>“You always throw that break-up shit at me.” </p>
<p>“Yeah, well, slow down. It’s a red light.” He revs his engine twice before slowing down. School is about a block away. I brush my fingers through my Manic Panic Purple Haze hair and check my face in the visor mirror. </p>
<p>“You look beautiful, baby. Except wait.” The light turns green. But he doesn’t go. He holds up traffic at the stoplight to wipe a barely-there mascara smudge off my lower eyelid. The car behind us honks; he flips it off and squeals his tires as he flies into the school lot. </p>
<p>In the lot, he grabs me by the back of the neck and pulls me in for a passionate goodbye kiss. The parent behind us is dropping off a freshman. I’m watching her through the side mirror as Riley smudges my lipstick with his face. The mother gives her dorky son a peck on the cheek. I wonder if she sees us. Riley lets me go. I grab my half-empty book bag, wipe off the red smudges, and hop out. </p>
<p>“Hey, Harm. Do you have to be here all day?” </p>
<p>“I don’t know. It’s only school. It’s optional right?” I smirk. </p>
<p>“Well, I was gonna make a run into the city for some kind bud, but I have to meet the guy before you’ll be out of class. Can I pick you up sixth period? Roddie and Danny are gonna come with.” </p>
<p>“Alright, meet me at the end of the street so I don’t get busted.” </p>
<p>“Cool baby, see you later.” I slam the door and feel people watching me as I walk inside. I’m special. I’ve got a man.  </p>
<p>*** </p>
<p>Riley drives the FDR as though he owns it. He wildly plunges around cars; speeding up then slowing down inches from their bumpers. It’s as if he’s got nothing to lose. Luckily most people have the sense to get out of his way pretty quickly. But if they don’t, he’ll stick to them like freakin’ crazy glue until they give in. I roll down the window to get some air on my face. A semi thunders past and almost clips off my nose. Riley grabs me back and says in his most robotic voice, “Please keep your hands and arms inside the vehicle at all times.” I thank him for the original insight. </p>
<p>Danny, the one who usually makes the dumb jokes, laughs heartily in the back. He is always so loud. It’s like he woke up one day and decided that he was the funniest man alive. He probably thinks it’s a pleasure listening to him, like he’s doing us a favor. It’s like he’ll say something that he thinks is funny and wait for the laughs. I never give in. It’s so dumb. But Riley does. He laughs whenever Danny cues him. It reminds me of the line my mom used to say about the neighbor’s twins. “Two peas in a pod,” she said. Right now, Danny’s in the phase of saying the pledge of allegiance to anything that he likes, like a keg of beer. “I pledge allegiance to this keg,” etc. It bores me. I think it bores Roddie too, but he always seems bored. He’s like Danny’s alter-ego. Roddie is silent unless he has something of value to share—quality not quantity. Right now he’s gazing out the window at the East River. He’s so smart. </p>
<p>I rest my head on my arms and close my eyes over the open window. This morning was such a drama. No matter how fast Riley drives, I never seem to make it to class before first-period attendance. Today I got there about three seconds after Ms. Lurie put her pencil down, the one she uses to point at each person who says, “Here.” Mrs. Lurie hates me and so even though I showed up to class, she never marked me present. Then on my way out, after the bell, I tripped on some freshman’s monstrous backpack. Mrs. Lurie, of course, blamed me for not watching where I was going. </p>
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		<title>Billy the Kid was Born on Allen Street</title>
		<link>http://www.chroniclesofnewyork.com/billy-the-kid</link>
		<comments>http://www.chroniclesofnewyork.com/billy-the-kid#comments</comments>
		<pubDate>Mon, 07 Dec 2009 17:27:51 +0000</pubDate>
		<dc:creator>Willow</dc:creator>
				<category><![CDATA[Guest Contributors]]></category>
		<category><![CDATA[brooklyn]]></category>
		<category><![CDATA[daily life]]></category>
		<category><![CDATA[fiction]]></category>
		<category><![CDATA[frustration]]></category>
		<category><![CDATA[inconvenience]]></category>
		<category><![CDATA[life]]></category>
		<category><![CDATA[Lower East Side]]></category>
		<category><![CDATA[manhattan]]></category>
		<category><![CDATA[new york city]]></category>
		<category><![CDATA[taxi cab]]></category>
		<category><![CDATA[transportation]]></category>
		<category><![CDATA[victim]]></category>
		<category><![CDATA[violence]]></category>

		<guid isPermaLink="false">http://www.chroniclesofnewyork.com/?p=276</guid>
		<description><![CDATA[Our cab driver gets out. He leaves the door hanging open like an awkwardly unfinished thought. He’s wearing wide white pants, shirt, a long, beige vest and white skull-cap. All of it accentuates his long black beard. We watch him calmly walk up to the Subaru’s driver-side window. The blonde maniac is rabidly cursing. ]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.chroniclesofnewyork.com/about/maggie-penchalle">By Maggie Penchalle</a></p>
<p>I tilt my head back and relax as the cab takes me and my boyfriend down Houston Street to a dinner party at the home of old friends. I look up at the sheet metal sky. Night is just getting started. I’m so lucky, I muse. Some kid in Tokyo with East Village dreams yearns to live just once in my neighborhood. At ground level, the squiggles of graffiti on the sides of muted grey and tan buildings look like small, dark red, green and black explosions and feel beautiful. This is the rapid place and time I call home. </p>
<p>But as much as I love New York, New York refuses to be loved. Whenever I’m all warm, fuzzy and ready to give the city a carefree, trusting bear hug, it repels me with some crazy, only-in-New-York type of crap to deal with—like our cab, suddenly speeding up and swerving from lane to lane as though we’re being chased. And I think we are. </p>
<p><em>Jesus.</em> I wake from my Southern back-porch moment only to see a thick, rugby-faced guy in a dark blue Subaru shaking his fist at our cab driver. Blonde hair is smeared down his forehead. He spits a New Jersey blessing out his window. Our driver speeds up. The blonde guy swerves to get behind us. He’s really close. We turn onto Allen Street. The Subaru turns following us. Our driver slams on the breaks. The Subaru slams to a stop. The maniac barely misses rear-ending us.  </p>
<p>Now we’re stopped bumper to bumper like a blood clot in the middle of Allen Street. Other drivers are pulling around us continuing on their way. I try to catch their attention with my eyes. “Help us,” I want the other drivers to hear. “Help. We have no idea what is going on.” My boyfriend, God bless him with his honorable French genes, is genetically obligated to accept any duel. He is quietly but not calmly watching the situation play out. I feel him taking short, quick breaths. </p>
<p>Then our driver gets out. He leaves the door hanging open like an awkwardly unfinished thought. He’s wearing wide white pants, shirt, a long, beige vest and white skull-cap. All of it accentuates his long black beard. We watch him calmly walk up to the Subaru’s driver-side window. The blonde maniac is rabidly cursing. Our driver pauses and then plainly, simply shakes his fist. Then he turns and walks back to his cab the same way most people carry files around an office, like it’s a casual, common chore. Cars, new to the scene, honk as they drive by. </p>
<p>The blonde maniac gets out of his car. Our driver closes himself and us in the cab. The blonde moves stiffly, deliberately, like a hulk, and spits a loogie on the yellow trunk. The taillights glow red against his enraged face.</p>
<p>And then I do it. I flip him off. Me, the California girl brought up on anti-war protests and hugs. I flip off the burly, angry hulk with only a thin sheet of glass between us. </p>
<p>I catch eyes with the driver through the rearview mirror. He saw me do it. I sink down in my seat. I’m a little bit embarrassed, a little bit shocked at myself and more than a little bit scared of what is going to happen next. I look up at my boyfriend for camaraderie and compassion. He protectively grabs my hand. </p>
<p>Our driver’s fight had just turned into mine. Having lived here for some time, often in the far stretches of Brooklyn and Queens that you need a cab to reach late at night, I have a special place in my heart for cab drivers. I&#8217;ve gotten to know them, have taken them out to dinner, learned about their homes in Ghana, Turkey, Pakistan, San Francisco as they took me down the BQE. I spoke my broken French when they spoke French; I practiced the few bits of Turkish I knew. I often tipped well as my own good-luck charm and to help ensure their sanity. I imagined myself the self-appointed patron saint of cab drivers in a city that makes them go postal. </p>
<p>The driver doesn’t wait for the hulk’s reaction. He steps on the gas. But within a few measly feet a red light stops us. And without fail, the Subaru pulls up to our side. I notice for the first time there&#8217;s a woman in the back seat. The hulk is screaming at us again.</p>
<p>Our driver ignores him. But I watch him closely, incredulously and do think I notice him lightly flinching, doing the behind the scenes work that goes into ignoring someone. </p>
<p><em>Enough! </em>This is my fight.</p>
<p>The remnants of the Californian in me rise up to call forth spiritual unity and neutralize potential violence. And with the unhinged vigor of a New Yorker, I stick my head out the window and yell, &#8220;Peace! Peace! Yoga! You need to do yoga! Breathe!&#8221; </p>
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		<title>Paper Thin Walls</title>
		<link>http://www.chroniclesofnewyork.com/paper-thin-walls</link>
		<comments>http://www.chroniclesofnewyork.com/paper-thin-walls#comments</comments>
		<pubDate>Tue, 13 Oct 2009 18:40:26 +0000</pubDate>
		<dc:creator>Willow</dc:creator>
				<category><![CDATA[At Home]]></category>
		<category><![CDATA[beauty]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[daily life]]></category>
		<category><![CDATA[fiction]]></category>
		<category><![CDATA[food]]></category>
		<category><![CDATA[frustration]]></category>
		<category><![CDATA[inconvenience]]></category>
		<category><![CDATA[India]]></category>
		<category><![CDATA[insomnia]]></category>
		<category><![CDATA[life]]></category>
		<category><![CDATA[manhattan]]></category>
		<category><![CDATA[new york city]]></category>
		<category><![CDATA[privacy]]></category>
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		<guid isPermaLink="false">http://www.chroniclesofnewyork.com/?p=219</guid>
		<description><![CDATA[The fight started with a fart, a really loud fart. See you’re never alone in New York and it’s a rare moment that a New Yorker can rip an earth-shatteringly loud or silent-but-deadly fart without disturbing someone nearby.
]]></description>
			<content:encoded><![CDATA[<p>The fight started with a fart, a really loud fart. See you’re never alone in New York and it’s a rare moment that a New Yorker can rip an earth-shatteringly loud or silent-but-deadly fart without disturbing someone nearby. Even when at home snuggled into your own little, valuable nest, even in the middle of the night you’re not alone. For walls are often quite thin and insulated primarily by the thin bodies of mice and roaches. Windows are regularly open and facing courtyards (actually vertical tunnels) where smells and sounds get stuck like debris in a tornado—not a great situation for the flatulent.  This story begins at about 2:30 in the morning in two $1,900 studio apartments in a former East Village tenement. A fart at 2:30 in the morning.</p>
<p>Jessica, 23, was asleep on her 6-year-old futon bed that was pushed tightly into a corner of her one-room kitchen, living room and bedroom. Now there’s not much you can learn about someone from watching them sleep. But since you’ve never met Jessica, I’ll try to use this idle—albeit important—moment to introduce her. She had turned off the lights and gotten into bed around 11:30, and she had fallen asleep by midnight. Her first episode of REM had already concluded, and she had shifted positions once to avoid sleeping on a cold spot of drool. Her alarm would ring at 7:16. Her choice of the seemingly random time helped her sleep. The unrounded number stopped her from nourishing insomnia by calculating exactly how much sleep she’d get before work the next day. Mental math was discouragingly harder to do without round numbers. Work was advertising sales for Cosmopolitan magazine—not usually a hard sell, but getting more difficult given the new media revolution and the recession.</p>
<p>The wall behind Jessica’s crown of tousled auburn hair was shared with a woman she’d never met face-to-face: Stephanie, a 24-year-old bartender who worked at the known-rowdy Coyote Ugly bar. But Stephanie wasn’t a real rowdy one. Yes, she could hold her own in a New York-style yelling match, and she could produce flirtatious smiles that appeared realistic even to the most homely, disgruntled men. But she was actually quite tame and bright, and stereotypically beautiful enough (stick straight blonde hair, acne-free skin and a 32D frame) that she never needed to partake in any more questionable activities to make rent.  The most questionable activity in recent memory took place tonight with the delivery from Indian restaurant Taj Mahal Delight.</p>
<p>Bustling home from work, her high heels pounded the pavement like quick, single blows of a jackhammer.  “I can hold it. I can hold it,” she chanted to herself as her stomach cramped and gurgled. The barback, who she had a major crush on, had suggested getting Indian as a late-night snack. Stephanie had never tried Indian and lived on a bland diet of ramen noodles, sushi, salads and the occasional pizza slice. But the self-consciousness resurrected by a cute boy, resembling that which plagues most junior high school girls trying to mold themselves into the most popular girl, inspired her to say, “I’ve been dying to try Indian!”</p>
<p>Before she got to her front door, she had her key in hand ready to go. Then with a twist of the wrist and a fast tromp up three flights of stairs, she made it home.  Her purple leather purse dropped from her hand onto her bed as she rushed to undo the button of her jeans and get to the toilet. And then she let herself release and push.  Just like a woman in labor, she thought, as she let one rip.</p>
<p>The sleeping Jessica sprung up to a sitting position as though the fire alarm had gone off. But before jumping out of bed and worriedly, frustratingly evaluating the public wear-ability of her pajamas (flannel pants and a worn out T-shirt), she paused to make sense of the situation. Then she heard the toilet flush.</p>
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		<title>Stephanie and No</title>
		<link>http://www.chroniclesofnewyork.com/stephanie-and-no</link>
		<comments>http://www.chroniclesofnewyork.com/stephanie-and-no#comments</comments>
		<pubDate>Sun, 21 Jun 2009 01:47:19 +0000</pubDate>
		<dc:creator>Willow</dc:creator>
				<category><![CDATA[On The Subway]]></category>
		<category><![CDATA[brooklyn]]></category>
		<category><![CDATA[daily life]]></category>
		<category><![CDATA[dogs]]></category>
		<category><![CDATA[fiction]]></category>
		<category><![CDATA[life]]></category>
		<category><![CDATA[manhattan]]></category>
		<category><![CDATA[new york city]]></category>
		<category><![CDATA[poverty]]></category>
		<category><![CDATA[subway]]></category>
		<category><![CDATA[transportation]]></category>
		<category><![CDATA[victim]]></category>

		<guid isPermaLink="false">http://www.chroniclesofnewyork.com/?p=17</guid>
		<description><![CDATA[Left front pants pocket. Stephanie pulls out a crinkled wad of cash on the L train traveling from Union Square to Williamsburg about a 6-minute ride. It’s rush hour.  She had gotten a seat. ]]></description>
			<content:encoded><![CDATA[<p>Left front pants pocket. Stephanie pulls out a crinkled wad of cash on the L train traveling from Union Square to Williamsburg about a 6-minute ride. It’s rush hour.  She had gotten a seat. Her mutt, a grimy, punk rock version of a Labrador retriever named No, circles struggling to keep his balance. Squeezed in next to her are an army surplus backpack and a folded cardboard sign that reads “Stuck in New York. Hungry. Need Money for Train Ticket Home.” This is her window to sort and straighten. No one would rob you in packed train car. There would be too many witnesses. Too obvious. So it’s safe to sort and straighten. To count.<br />
Two twenties.<br />
One ten.<br />
Two fives.<br />
Seven ones.<br />
Total: sixty-seven dollars.<br />
Stephanie’s grayed and filthy fingers move fast and precise like little machines, the kind you might imagine make circuit boards or little car parts. She turns the bills face up. Stacks them lowest to highest. Ones to the bottom. Ones should end up on the outside of the roll. She is conspicuous. But she never looks up to see which, if any, bored passengers are counting with her.</p>
<p>An older Polish woman sits across from her. There are people standing in between them. As the bodies between them jiggle and shift with the thrusts of the train, she gets glimpses of Stephanie counting her cash. She leans to the side to try to see more of her. Grazyna is a grandmother at the top of a heap of women. She has three daughters, two had graduated from college, and all three had given birth to at least one girl. She knows women. She makes women. This had been her self-appointed strength in life. And she thinks Stephanie is one in desperate need. “Who else begs for attention like that? Bringing a filthy monster dog on the subway and counting wads of cash? It’s a cry for help,” she thinks.</p>
<p>The only clean spot on Stephanie’s soot-covered face is her chin. That’s where No likes to lick her. His name was chosen out of perceived necessity. The plan: if she ever had to scream no, he would come running. Her protector on the streets. Her man. But the name really wasn’t working out that well. First, Stephanie always kept him on a short leash (fuck if she was going to lose him to traffic, she worried). So he was never in a position to run to her. He was always there already. Then it was hard not to give him a complex. No ended up being a really hard word to say without a negative tone in her voice. And it wasn’t fair for him to think she was always unhappy with him. So she trained herself away from throwing no’s around in conversations, in bodega delis when they asked if she wanted milk in her coffee, at the payphone when her quarter’s worth of money ran out. She now relied on not’s, don’ts, won’ts, couldn’ts, shouldn’ts instead of the default, natural no. He was worth it. They were best friends.</p>
<p>Right pants pocket.<br />
One twenty.  She stacks it on top next to other two twenties.<br />
Sixteen ones. Straighten. Face it up. Put it on the bottom.<br />
She keeps No still. “Sit boy,” she says. “Sit.” It’s ok. Keep on counting.<br />
Total: thirty-six dollars.<br />
So many ones. One was a popular number in panhandling. It wasn’t enough to make someone feel responsible for how she spent their money and dictate how it could be used. Train ticket, really? What about drugs? Dog food? Breakfast? Coffee? But for one dollar, no one ever asked. One was enough to help, but not enough to change a life. Not enough to take responsibility for. Not enough to miss.</p>
<p>A Flash programmer and graphic designer on her way to her over-priced and under-maintained Williamsburg loft watches Stephanie while listening to The Kinks on her iPhone. Gutter punks usually have dogs like that, she thinks. They take care of their dogs better than themselves. Feed them before they feed themselves. Get them medical help when they wouldn’t get their own. That panhandled wad is probably going to organic, special-diet dog food. But this girl doesn’t look like a punk, she observes. She sort of looks like little orphan Annie. Tight curly hair (brown though not red). Freckles. No visible tattoos. Thin, petite frame. Blue eyes. Dog. What if it’s named Sandy? Black jeans, black converse, formerly-white collared shirt now brownish gray and a black hoody. No red and white dress here. The sun will come out tomorrow. I can make sun tea tomorrow on my windowsill, she thinks. That would be good.</p>
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